Kyokushin Kata
The word kata means "shape" or "form". The kanji for kata (the Japanese character above at the right) is composed of the following characters:
Katachi meaning "Shape",
Kai meaning "Cut", and
Tsuchi meaning "Earth" or "Soil".
Literally translated, kata means "shape which cuts the ground".
A kata is a sequence of blocks, kicks and punches from one or more stances, involving movement forward, backward and to the sides. The number of movements and their sequence are very specific. The balance between offensive and defensive techniques, the stances used and the direction and flow of movement all serve to give each kata its distinctive character.
Through the practice of kata, the traditional techniques used for fighting are learned. Balance, coordination, breathing and concentration are also developed. Done properly, kata are an excellent physical exercise and a very effective form of total mind and body conditioning. Kata embodies the idea of ren ma, or "always polishing" with diligent practice, the moves of the kata become further refined and perfected. The attention to detail that is necessary to perfect a kata cultivates self discipline.
Through concentration, dedication and practice, a higher level of learning may be achieved, where the kata is so ingrained in the subconscious mind that no conscious attention is needed. This is what the Zen masters call mushin, or "no mind." The conscious, rational thought practice is not used at all what was once memorized is now spontaneous.
Mas Oyama said that one should "think of karate as a language the kihon (basics) can be thought of as the letters of the alphabet, the kata (forms) will be the equivalent of words and sentences, and the kumite (fighting) will be analogous to conversations." He believed that it was better to master just one kata than to only half-learn many.
Mas Oyama also emphasized the three fundamental principles of kata:
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Waza no Kankyu. The Tempo (slow/fast) of the Techniques. The tempo of the kata varies some techniques are performed quickly, while others are done more slowly. |
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Chikara no Kyojaku. The Force (strong/weak) of the Power. The power of a technique derives from the proper balance between strength and relaxation. |
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Iki no Chosei. The Control (regulation) of Breathing. |
The practice of traditional kata is also a way for the karateka to pay respect to the origins and history of Kyokushin Karate and the martial arts in general.
Origins
Kyokushin kata are often categorized as "Northern Kata" or "Southern Kata," based upon their origin and development.
The Northern Kata are similar to those found in Shotokan Karate, since they were developed from Mas Oyama's training under Gichin Funakoshi. Master Funakoshi in turn derived these kata from northern Chinese kempo and Shorin Ryu, the Okinawan karate style based on Chinese Shaolin (i.e. "Shorin") kempo. These kata utilize long, powerful stances and strong blocks and strikes. The Northern Kata include:
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Taikyoku Sono Ichi, Ni and San
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Pinan Sono Ichi, Ni, San, Yon and Go
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Yansu
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Tsuki no Kata
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Kanku
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Sushiho
The Southern Kata were developed from Mas Oyama's study of the Okinawan karate style of Goju Ryu under So Nei Chu, which in turn were derived from southern Chinese kempo. The movements in these kata are more circular and flamboyant than those in the Northern Kata. The Southern Kata include:
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Sanchin no Kata
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Gekisai Dai and Sho
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Tensho
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Saiha
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Seienchin
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Gayru
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Seipai
Meanings
Pinan is the Okinawan pronunciation of the kanji characters for peace and
relaxation (pronounced Heian in Japanese). Though the physical moves of
kata involve techniques used for fighting, the purpose of kata is to develop a
calm,
peaceful mind and harmony between the mind and body.
Sanchin literally means "three battles" or "three
conflicts". It is the principal kata in certain Okinawan karate
styles, such as Goju Ryu and Uechi Ryu, and it is likely one of the oldest kata.
Certain legends attribute the creation of Sanchin to Bodhidharma in the early
sixth century. Sanchin kata seeks to develop three elements at the same
time:
The mind, body and the techniques,
The internal organs, circulation and the nervous system,
and
The three ki, located in:
the top of the head (tento),
the diaphragm (hara),
and
the lower abdomen (tan
den).
Sanchin is an isometric kata where each move is performed in a state of complete
tension, accompanied by powerful, deep breathing (ibuki) that originates
in the lower abdomen (tan den). The practice of Sanchin not only
leads to the strengthening of the body, but to the development of the inner
power (ki) and the coordination of mind and body.
Gekisai means conquer and occupy. The name is derived from the characters
Geki, meaning attack or conquer, and Sai, meaning fortress or stronghold
(literally translated as "closed", "shut" or
"covered"). The word Gekisai can also mean demolish, destroy or
pulverize. The katas teach strength through fluidity of motion, mobility and the
utilization of various techniques. Flexibility of attack and response will always
be superior to rigid and inflexible strength.
Yansu is derived from the characters Yan, meaning safe, and Su,
meaning three. The name is attributed to that of a Chinese military attachι to
Okinawa in the 19th Century. The word yansu also means to keep pure,
striving to maintain the purity of principles and ideals rather than compromising for
expediency.
Tsuki no by its very name is a punching kata (there is only one kick and just a
few blocks in the entire kata). The word Tsuki can also mean fortune and
luck. Good fortune and luck does not come by waiting. For every punch in
this kata, envision that a personal barrier is being broken down. Strong,
persistent effort directed at problems will bring good fortune.
Tensho means rolling or fluid hand, literally translated as "rotating
palms". Tensho is the soft and circular (yin) counterpart to the hard and
linear (yang) Sanchin kata. Not only was Tensho one of Mas Oyama's favorite
kata,
he considered it to be the most indispensable of the advanced kata:
Tensho is a basic illustration of the definition of Karate, derived from Chinese kempo, as a technique of circles based on points.
Tensho should be a prime object of practice because, as a psychological and theoretical support behind karate training and as a central element in basic karate formal exercises, it has permeated the techniques, the blocks and the thrusts, and is intimately connected with the very life of karate.
A man who has practiced Tensho kata a number of thousands of times and has a firm grasp of its theory can not only take any attack, but can also turn the advantage in any attack, and will always be able to defend himself perfectly.
Saiha means extreme destruction, smashing or tearing. The word Saiha
can also mean great wave, the source of the IFK logo. No matter how large a
problem is encountered, with patience, determination and perseverance (Osu) one
can rise above and overcome it, or smash through and get beyond it.
Kanku means sky gazing. Literally translated, Kan means
"view", and Ku means "universe", "air",
"emptiness" or "void" (the same character as Kara in
karate). The first move of the kata is the formation of an opening with the
hands above the head, through which one gazes at the universe and rising sun.
The significance is that no matter what problems are faced, each day is new and the
universe is waiting. Nothing is so terrible that it affects the basic reality
of existence.
Seienchin means conqueror and subdue over a distance, or attack the rebellious
outpost. In feudal Japan, Samurai warriors would often go on expeditions lasting
many months, and they needed to maintain their strength and spirit over a long period
of time. This kata is long and slow, with many techniques performed from kiba
dachi (horseback stance). The legs usually become very tired in this
kata,
and a strong spirit is needed to persevere, instead of giving up. The word
Seienchin can also mean to pull in battle.
Sushiho means 54 steps. Sushiho is derived from the words
Useshi, the Okinawan pronunciation of the kanji characters for 54
(pronounced Go Ju Shi in Japanese), and Ho, meaning walk or step.
Other karate styles call this advanced kata Gojushiho.
Garyu means reclining dragon. In Japanese philosophy, a great man who
remains in obscurity is called a Garyu. A dragon is all-powerful, but a reclining
dragon chooses not to display his power until it is needed. Likewise, a true
karateka does not brag about or show off his abilities. He never forgets
the true virtue of humility.
Seipai is the Okinawan pronunciation of the kanji characters for 18
(pronounced Ju Hachi in Japanese). In other karate styles, this kata is
sometimes called Seipaite, or eighteen hands. The number 18 is derived from the
Buddhist concept of 6 x 3, where six represents color, voice, taste, smell, touch and
justice and three represents good, bad and peace.
